La Boîte à Musique proudly bears the title of “Fournisseur breveté de la Cour de Belgique” since 1994 in recognition of the quality of its service. We also offer in our store exclusive promotions all year round. You can always find the latest releases in our store. We offer an extensive assortment of the best CD recordings in a pleasantly spacious setting with staff that is happy to share with you their knowledge of and passion for music. Other major Brussels museums are within walking distance. Since a few years the shop has found a beautiful hideaway between two music temples, The Musical Instruments Museum and Bozar. This family business has a rich history dating back many decades. Like the synth stars of decades passed, the Roland SH-101 continues to shine brightly, continues to be revered and continues to inspire.La Boîte à Musique is the foremost CD-shop in Brussels for the classical music aficionado. The booming sub-oscillator, throbbing pulse-width modulation and simple 100-step sequencer combined for a sound that gave the “101” a cult following. It wasn’t until the 90’s when this portable powerhouse was adopted by electronic music producers and featured in countless techno, house and electronica albums. But beneath its extroverted design lay a powerful monophonic synth voice that could transition from smooth to WILD… all at your fingertips. Battery-powered, sleek lines, compact design, and wearable with a strap and grip, the SH-101 was designed to take center stage. This era of music saw performance and synthesis come to a convergence: the “synth star” and Roland SH-101 was born. Almost every band on TV and radio featured at least one keyboard player, perched proudly behind a rack of synthesizers. The synthesizer was the zeitgeist of music in the early 80’s. And so the cycle continues – much like its driving, looping patterns – forging a new path into the rhythmic future. Its spirit and sound resonates to this day, inspiring new music and sub-genres with each generation of visionary. A simple rhythm box described by three-digits managed to transcend musical genres and reach a place of cultural significance. But perhaps its greatest legacy is that “808” means so many things to so many people. The 808 imparted a lasting impression on popular, electronic, hip-hop and R&B music. The day the TR-808 fell into the hands of visionary musicians and producers became the day that the idiosyncratic sound of the 808 found its voice. Combined with its bold black body, scrolling lights and sixteen iconic-colored sequencer buttons, the TR-808 will always be unmistakable in its form and function. Inside the all-analog monster lies a big, booming BASS of a kick drum that drives a robotic clap, a brash cowbell and sizzling cymbals for a future-symphonic rhythm track. The term ‘808’ has an immediate sonic, electronic and aesthetic signature. There are few musical instruments that have affected the course of modern music like the Roland TR-808 Rhythm Composer. Popular in its time, and appearing on countless tracks, the JUNO-60 is more sought-after than ever and sits high on the list of legendary synthesizers. The onboard arpeggiator made the JUNO-60 able to churn out a lot of sound all on its own. And it also had that lush, ethereal ensemble chorus that the early JUNOs are known for and is such a huge part of their distinctive sound. It had the fat, warm sound of analog synthesis while maintaining tuning stability and a hands-on interface with buttons, sliders, and switches. This can be attributed to its (at the time) state-of-the art digitally controlled oscillator (DCO) and sweet, juicy filter. The JUNO-60 is revered to this day for its punchy yet stable sound. In fact, it was nearly identical to the JUNO-6 except that it added the ability to store up to 56 presets (or more onto cassette tape!). Immediately following the JUNO-6, the JUNO-60 was one of the first synthesizers to carry the JUNO name. The JUNO-60 was a polyphonic analog synthesizer released by Roland in 1982.
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